Video Editing, Three seconds that earn the next thirty.
Video editing services covering the formats brands actually need — short form, long form, ads, product, podcast and the motion design that lifts all of them.
Motion
Video Editing
From raw footage to a finished cut with grade, sound design and captions. We edit for the platform, not the timeline — vertical, wide, silent-autoplay, and the versions your media team will ask for on Friday.
We keep this deliberately short. Every video editing service here is something we do properly rather than a line on a capability list. Each one has its own page explaining what it is, what is included, who it suits and what it should move. Take one, or stack a few into a programme.
Always included
amflx · Motion
Three seconds that earn the next thirty.
You send footage and a brief. You get back a cut that holds attention, in every format you need, with a revision round that does not take a fortnight.
Platform-native
Cut for vertical, wide and silent autoplay
Fast rounds
Revisions that do not take a fortnight
Full post
Grade, sound design and captions included
What we commit to on every video editing engagement, agreed before we start and reported against every month — no invented benchmarks, just how the work is actually run.
Platform-native
Cut for vertical, wide and silent autoplay
Fast rounds
Revisions that do not take a fortnight
Full post
Grade, sound design and captions included
Our video editing services, each done properly.
No endless menu. These are the pieces of video editing work we genuinely do best. Run one on its own, or stack two or three into a programme.
How a video project actually runs.
Four stages, one team, and a review point at the end of each. No black boxes and no month-three surprises.
Brief and footage review
We watch everything, agree the story and the hook, and flag any gaps before an editor touches a timeline.
Story cut
Structure first — pacing, narrative and the beats that hold attention. Approved before we spend time on polish.
Polish and post
Grade, sound design, motion graphics, captions and clean-up. The part that separates competent from premium.
Version and deliver
Every aspect ratio, length and platform spec exported, named sensibly and delivered where your team already works.
You send footage and a brief. You get back a cut that holds attention, in every format you need, with a revision round that does not take a fortnight.
Video Editing for real business categories.
Every industry needs different proof, language and conversion flow. We adapt the video editing strategy to the market instead of forcing one generic playbook onto it.
Not listed? We have almost certainly worked in something adjacent, so ask.
Video Editing, answered.
The questions we get asked most about video editing, answered plainly, including the parts other agencies avoid.
Ask us anythingShort-form edits typically land within 48 hours. Long-form and cinematic work runs three to seven days depending on length and grade complexity. Rush lanes are available.
Two rounds as standard, structured so the first is about story rather than pixel notes. Extra rounds are billed transparently by the hour.
Yes. Retained clients run on a template and brand kit system with a dedicated editor, which is how we keep 100+ assets a month consistent.
Premiere Pro, After Effects, DaVinci Resolve and Final Cut. We deliver ProRes masters, platform-optimised MP4s, SRT files and project archives on request.
Most clients stack two or three of these.
Video Editing works hardest next to the disciplines around it — a campaign needs creative, a site needs content, a brand needs distribution. One team covers all of it.
Let's make some noise.
Tell us what you're building. We'll figure out where to take it.
We reply to every brief within three working days